|
The official website of the film calls Kaufman eccentric,
innovative, enigmatic, and 'a master manipulator.' But
Kaufman's entire life was built around one word - fun.
His eccentricities, paradoxes and manipulations all
existed for the purpose of having fun. And 'fun' is
an Ansir Scintillator word. No personality on earth is
more capable of creating or having fun like them.
Kaufman's credo, as the movie so clearly states, was,
"Life is an illusion," and he lived his accordingly with
creative support from the most creative of all
personality styles: Evokateur. Scintillator made people
laugh but Evokateur forced audience members to seriously
evaluate what was funny, in his stripped-down brand of
fun. Audiences couldn't predict what he'd do, but could
predict they'd be mentally or physically shifting in
discomfort at some point in his show.
In awkward,
uncomfortable silence he emphasized laughter (Mighty
Mouse), showed gross physical unfairness of man fighting
woman, as well as the danger of taking any public
performance seriously, (wrestling).
The film opens with
Kaufman entertaining the wall of his bedroom as a
child. When his father forbade such make-believe and
insists he only entertain 'real' people, Kaufman enlists
the aid of his baby sister and continues in his fantasy
world. Classic Evokateur problem-solving. Some might
suggest Kaufman was Ansir Eccentrik. Not likely.
Eccentrik's don't care what others think. Kaufman's
eccentricities existed to entertain. He was in it for
the audience reaction. That's typical Scintillator
motivation, not Eccentrik. Scintillators need to please
people. President Clinton, for example, emotes classic
Scintillator in that sense. But Andy Kaufman wasn't
satisified with pleasing people just any old way. Evokateur
wouldn't let him. He forced audiences to think beyond
laugh-funny to why-funny, without help, guide, or
explanation from him. Andy stood there, but it was our
conventional beliefs and standards that played on-stage.
Comedian Lenny Bruce also forced us to examine conventional
standards and beliefs. However, their Ansir Profiles
reflect the 180-degree difference that existed, between
Lenny (Sentinel boss) and Andy (Scintillator boss) laughter.
Both audiences shifted in discomfort, though differently.
|